The source-selection buttons are mirrored on the right-hand side of the volume knob by a set of destination-selection buttons. Smart Touchpoints enable you to customise your workflow on the fly. This is where a hardware monitor controller like Nero comes to the rescue. As a studio grows, it can be difficult to keep a handle on monitoring, but Nero will provide centralised, customisable control for all your monitoring needs - right from your desktop.” All rights reserved. One: Nero comes with a built-in talkback mic, with a front panel engage button and volume control. Web site designed & maintained by PB Associates & SOS. Back in the mists of time when I first started noodling around in recording studios, the places I was working in were often very cramped and uncomfortable: large mixing desks, bulky open-reel multi-track and 2-track tape recorders and racks of equipment, all taking up space and pumping out heat. The Audient NERO Desktop Monitor Controller is a professional-grade, tabletop monitor stereo monitor controller for engineers with an expanding setup. Built into a compact, angled desktop unit, with a black-painted steel case and crisp white control legends, the Nero measures 255 x 75 x 155 mm (whd) and it weighs a solid 2kg — heavy enough to ensure the input and output cabling won't pull it off the desk! Session Notes: Piano + Drums | Audio Examples, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs. You could record up to 10 inputs at a go with a mic pre-amplifier like the Audient ASP800. Free test review. Building on over 20 years of expertise in analogue console heritage, Nero has been designed to give you powerful control over your monitoring. Nero comes in a chunky, solidly built black enclosure that’s perfectly sized to sit alongside your computer keyboard or DAW controller. UK customer can now buy Music Tribe products directly from Anderton’s online store. It also serves to protect your monitors from unintentionally loud signals and the like. The Audient Nero is a flexible unit in terms of I/O connections; nothing seemed noisy or mismatched. To maintain headroom, the summed-mono button attenuates the output signal by 6dB. Audient's renowned experience in analogue console design and, more recently, with computer interfaces, provides the ideal background to produce a high-quality stand-alone monitor controller. The only minor disappointment is the use of an external wall-wart power supply which connects with a non-latching coaxial plug, but it is a ground-free type so at least the monitor controller itself can't generate a ground loop. Win! Audient Nero . What it does have over Nero, though, is per-output user control over the amount of attenuation applied to the monitor outputs. So alongside the large illuminated Cut (red) and Dim (green) buttons, there are also buttons to select summed-mono and left-channel polarity-reverse options — the combination of both providing the 'stereo difference' signal that I value very highly but which so many monitor controllers sadly omit. In comparison to similar products, it both looks and feels more ‘console-y’ and, other than its unalterable input attenuation, it is completely transparent in terms of sound quality and tonal balance. Audient’s Nero delivers the goods. Buy it if u want a great monitor controller! From a technology point of view, the circuitry is fairly conventional for the most part, with lots of trusty NE5532 op-amps evident on the surface-mount circuit board, which covers the entire base of the unit. solidly built black enclosure that’s perfectly sized to sit alongside your computer keyboard or DAW controller This on/off state can be tied to each monitor output channel so that, for example, when you select the Main monitor output, the sub output will also be enabled, but when selecting an Alt output the Sub will be disabled. It’s par-for-the-course with a unit of this type and most users would probably find Nero’s benefits outweighing such inconveniences, but I do think it would be a factor in deciding whether or not a monitor controller such as Nero is right for you. Selecting the input channel that feeds to a given headphone output is simply a case of pressing the headphone channel’s SRC button, then pressing one of Nero’s input source selectors. Title Jacob Dark: Audient Nero Review Copy Desktop Interested in the Audient Nero Monitor Controller? In line with most of Audient's products, the nominal signal levels conform to EBU standards, with a maximum level of +18dBu accepted at the balanced inputs, and a 0dBu input signal lights the zero mark on the bar-graph meters. With the volume control at the reference two-o'clock position there is an overall signal attenuation from balanced input to output of 14dB. There are two main mix sources, SRC 1 and SRC 2, and a cue mix source. Only one monitor input source can be selected at a time — there is no source mixing capability. Dim, Cut, Mono, and Polarity controls. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. By being an audio interface at heart, Crimson 3 won’t slot in to an existing DAW setup, but an all-in-one solution has its advantages. Audient Nero Desktop Monitor Controller. We asked you to vote in 13 categories, and our experts have since deliberated on the results. Save 5.4%, MSRP $739.00 4 /5 (1 review) Write a review. Audient. Can Korg repurpose FM synthesis and make it accessible for a new generation? Audio quality and fidelity are completely unaffected by this, though… and it’s simple enough to work around in one way or another. Although the Nero is both intended and priced for typical home- and project-studio applications, designer Dave Dearden's pristine analogue circuitry means its technical performance is extremely good, and its configurability makes it a very competent and capable monitor controller that would be equally well suited to many professional installations, too. It has a good build quality with reassuringly solid buttons and knobs and the inclusion of digital inputs supporting up to 192kHz/24-bit signals is a really useful addition, too. Get Discount on Studio Monitors, Musical Recording with Free Home Delivery from Media Capital in Nandhini Layout, Bangalore, Karnataka, India. Amazing quality from Audient, great connectivity and very good feel on the unit. It looks super nice on my studio desk. On my bench tests (see below) I found the channel matching was within 0.1dB throughout the entire range, with completely inaudible 0.25dB steps, and a maximum attenuation of 105dB. Nero perfectly matches the volume of the left and right channels of your stereo signal using Audient’s custom Precision Matched Attenuation Technology. Overall, the Nero performs very well and my test bench measurements confirmed Audient's published specifications. Audient says they are matched perfectly at the outputs using a process called Precision Matched Attenuation Technology, which digitally controls the analog signal. The signal amplitude of the selected monitoring source is shown on an eight-LED stereo bar-graph meter, with each LED lighting at precisely their marked levels between -18 and +18 dBu. This desktop monitor controller includes a comprehensive array of I/O, which allows flexible routing and customization. These cater for a main monitor output and two alternate monitor outputs, along with a sub output that can be switched on or off, irrespective of the active monitor output. 6 new from $499 2 used from $409.75. The control panel is dominated by a chunky control-room volume knob and eight-stage LED level meters. The various knobs have a smooth action with just the right amount of resistance and the larger volume control knob gives good accuracy and precision when adjusting the output level. Although some DAWs have features geared towards this area of the studio – most notably Cubase and Nuendo’s Control Room feature – these can be a bit clumsy to work with when compared to a console-style monitor section. Indeed, the company has made the ASP510 surround monitor controller for the professional market for a great many years, and the monitoring facilities built into its iD range of USB interfaces are also unusually well appointed. Show all. This nifty mini keyboard controller can speak fluently with a range of gear, and looks to be centre of your live performance setup. Although there are no numerical marks around the volume knob, there are lines at the clock hour and half-hour positions. Most of the signal switching is performed by sealed relays (I counted 18 of them! Audient’s latest provides the tactile controls found on the monitor sections of vintage mixing consoles and brings them to the modern desktop studio. Monitor controllers range from the ultra-simple low-cost models like the JBL NanoPatch+ or Palmer's Monicon, up to über-sophisticated devices like the Grace Design m905 or Cranesong Avocet IIA, and with countless alternatives in between those extremes. Overview. Featuring a comprehensive range of I/O, console style monitor control, Precision Matched Attenuation Technology and more... Nero will quickly become the core of your studio. Flexible talkback with built-in microphone. As you'd expect, all of the usual monitoring functions are provided. A selected monitoring source can be routed to any of three separate sets of stereo loudspeakers (Main, Alt1, or Alt2), plus an additional mono output intended for a subwoofer, and the source and destination buttons are illuminated orange to indicate this monitor speaker source/destination routing mode. The Nero is a signal attenuator, with a minimum loss (with the volume control maxed out) of 6dB from balanced input to speaker output, so the maximum signal level available at the speaker outputs is +12dBu. While not the only device of its type on the market, Nero is up there with the best of them. The Express MPE pack features presets for Xfer Serum, Bitwig, ASM Hydrasynth and more. With its numerous inputs and outputs, flexible routing options and easy handling, NERO … The enclosure is reasonably heavy, which is a good thing because when fully hooked up, there’s a lot of cabling going to-and-from the unit, and so its weight acts as a bit of an anchor against the drag and pull of all of those cables. Solid build with a feature set that's designed for exactly what I need and all the controls feel professional and confidence inspiring. © 2021 MusicTech is a member of the media division of BandLab Technologies. Although the Nero is both intended and priced for typical home- and project-studio applications, designer Dave Dearden's pristine analogue circuitry means its technical performance is extremely good, and its configurability makes it a very competent and capable monitor controller that would be equally well suited to many professional installations, too. Not only does it make it simple to get a sub hooked up, it also allows you to share that sub with any of your monitoring setups, or to leave it out altogether and allows you to quickly enable or disable it when needed. Future Music (1/2020) But if sound quality is a bigger priority to you, choose the Audient. Does it achieve the perfect balance of features vs. price? As I flip between my speakers to check my mix I'm confident that what I'm hearing is true ! Indeed, that it requires having so much additional cable-spaghetti running around your studio – something that DAWs have alleviated to a large degree – is probably my biggest bugbear with Nero, or any similar monitor controller for that matter. This is not a single input, though, and the actual source can be selected from three further options: coax or optical S/PDIF digital inputs (supporting all standard sample rates up to 192kHz), or an unbalanced 'Auxiliary' source connected on either a 3.5mm or pair of RCA-phono sockets, with the former taking priority if both are connected simultaneously. What I do miss about those days, however, is a good slab of mixing console to work on. Anyone else's Neumann KH80 randomly reset themselves. With the beta of Live 11 in our hands, it’s time for us to scope out some of the most intriguing new additions. Find out more about the features within this review from Jacob Dark. Audient says that its newest monitor controller is inspired by the company’s analog console heritage and … The active ALT input is selected via a pushbutton on the top panel with a choice of auxiliary, coaxial or optical. This is a sensible gain structure for the vast majority of active speakers (and power amps). THE ART OF CONTROL After an impressive performance from Soundcore’s Liberty 2 Pros, we see whether the Air variant can fly just as high. 62. Unusually, rather than the traditional ganged potentiometer, the main speaker monitoring volume knob actually controls a stereo electronic stepped-attenuator chip, specifically chosen to ensure perfect channel matching at all level settings — so there can never be any wayward image shifts. Monitor Controllers. Find Out More […] Give your vocals room to breathe when big spaces are crucial to a track. There’s also an alternate, or ALT, source and this can be driven from one of a number of rear-panel input connectors. In a traditional studio, with separate control room and live area, and both nearfield and midfield monitoring, some sort of monitor routing and control is practically essential. Free shipping in Canada. This desktop monitor controller includes a comprehensive array of I/O, which allows flexible routing and customization. Featuring a comprehensive range of I/O, console style monitor control, Precision Matched Attenuation Technology and more... Nero … As your studio grows it becomes harder to control. Amazing quality from Audient, great connectivity and very good feel on the unit. The unit allows you to monitor three sets of speakers, giving you the ability to set and match levels for all the speakers, which is quite handy for comparisons. Fret not! And what I miss in particular – which, Andertons is the next distributor to become a Behringer Super Partner, NAMM 2021: ROLI updates LUMI with per-note pitch bend and it’s nuts, SOUL, the new “universal language” for audio apps reaches v1.0, Get free MPE presets for your synths from Sensel, Ólafur Arnalds on making characterful sounds, fusing piano and synths and collaborating with Bonobo, Show Off Your Studio: Kartell’s cosy, warm workshop, Show Off Your Studio: Saycet’s synth shop keeps him calm and creative, Gear Of The Year 2020: The best DAWs, hardware instruments, monitors and accessories, Learn how sidechain compression on reverb can make vocals stand out in Logic Pro, Weekend Workshop: Glitch-hop bass design with Vital, Gain a deeper understanding of Beat Repeat in Ableton Live, The 10 best websites for free music samples in 2021, Iconic Strings: from Bach to Britney – the POPularisation of classic strings, Gift guide 2020: Presents for producers under £150, Cyber Monday 2020: The best software deals for producers, Two monitor outputs, cue output and four headphone outputs, Subwoofer output can be enabled/disabled independently of monitor selection, Digital input via optical or coaxial S/PDIF, Each headphone output can be driven from any source, Built-in talkback mic, with option to connect own mic, Good build quality and solid-feeling controls, Just like using a console-style monitor section. To the left of these are four source-select buttons, from where you choose the input that’s being routed to Nero’s output stage. Almost by definition, this sort of hardware introduces a whole new cluster of cabling to strap down and manage and some may find this to be more trouble than it’s worth. Austrian Audio OC818 Dual Set Plus microphones. The device’s controls all live on the top surface of the enclosure, which is angled so that the controls are tilted towards you, as they would be on a large-format mixing console. Audient Nero - The Art of Con­trol. https://audient.com/products/monitor-controllers/nero/overview/ Looks to be a decent piece of kit if the specs they quote are accurate. It’s all very intuitive to use, too and Audient is to be commended for the clarity of the control layout, as well as the ease with which things like headphone source and sub enabled/disabled state are managed. Q. The Crimson 3 is actually a desktop USB audio interface that includes various monitoring functions, with controls for managing those functions on the top panel. Future Music (1/2020) Online Experts. Nero perfectly matches the volume of the left and right channels of your stereo signal using Audient’s custom Precision Matched Attenuation Technology. Nero Valid Coupon Code online, Get 100% working nero promo code, Heres the worst short film ever made, plus our review of the excellent Audient Nero monitor controller. One slightly peculiar thing that Nero does is it attenuates the input signal quite markedly, even when its output volume control is set to full. Audient . Marketing Director, Andy Allen says, “Nero builds on our 20 years of expertise in analogue design heritage, courtesy of Dearden designed circuitry. Hampshire, UK (May 7, 2019) - British audio company Audient is proud to announce Nero, the desktop monitor controller. Building on over 20 years of expertise in analogue console heritage, Nero has been designed to give you powerful control over your monitoring. The bar-graph LEDs are green below +9, and yellow above, with red for the top spot at +18dBu. Once that spaghetti’s all hooked up, though, Nero is great to work with and is just like having a proper console monitor section to hand, making switching sources and destinations a doddle. As the subwoofer output is simply a summed-mono feed — there is no 'bass management' or low-pass filtering provided in the Nero — this output could be used for a dedicated full-range mono speaker, if required, although there are other means of achieving a mono output, too. The latter two of these relate to the coaxial and optical S/PDIF input connectors on the rear panel, while the auxiliary input has both a stereo mini-jack connector and a stereo pair of RCA/phono connectors (if something’s plugged in to the mini-jack, the RCAs are disabled). 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