Is there such a thing as a bad Yo-Yo Ma album? Reviewed in the United States on September 23, 2000. Reviewed in the United States on November 16, 2020. 33: Variation II: Tempo della thema, Variations on a Rococo Theme for Cello and Orchestra, Op. 125 & Cello Sonata in C Major, Op. Sinfonia concertante. 33: Variation I: Tempo della thema, Variations on a Rococo Theme for Cello and Orchestra, Op. 125 & Cello Sonata in C Major, Op. It's the judgment of tempo that does the job. (Score). It is a recording that is under mediocre. But it was his work as a conductor, sometimes questioned on technical grounds, that justifiably earned the most fervent ovation. These excerpts from the music for Sergei Eisenstein's monumental film of 1938, divided into seven movements lasting 40 minutes, always make a surging rabble-rouser, but they require a steady hand and opulently exact execution to make their finest effect. 33: Variation VI: Andante, Variations on a Rococo Theme for Cello and Orchestra, Op. Incidentally the score is sometimes known as the Symphony-Concerto. Know What I Mean? Prokofiev: Sinfonia concertante - Sonata for Cello and Piano 2003 The Swan 2000 Vivaldi: Cello Concertos 2008 Works for Cello and Orchestra 1996 Haydn - Cello Concertos Nos. Highly recommended!!! Reviewed in the United States on March 5, 2001. The Sinfonia Concertante, or "Symphony-Concerto" as Prokofiev apparently preferred to call it, is a radical reworking of the Cello Concerto (Op. Also known as Symphony-Concerto in E minor, Op. Serge PROKOFIEV (1891-1953) Sinfonia concertante in E minor, Op. Prokofiev’s Sinfonia Concertante and Tchaikovsky’s Rokoko Variations are two classics for the cello. Prokofiev: Sinfonia Concertante in E Minor, Op. Sinfonia concertante, Op.125 (Prokofiev, Sergey) This work is likely not in the public domain in the US (due to first publication with the required notice after 1925, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. Published by Boosey and Hawkes. PROKOFIEV: Sinfonia Concertante: MOZART: Symphony No. With the 150 full-throated singers of the Choral Arts Society and the orchestral effects pealing forth with special pungency in the Fisher Hall acoustics (all that metallic high percussion at the end! Here's a clip of one of those strangely beautiful and fantasy-like passages that makes me picture a … Originally written as a cello concerto and then revised, not once but twice (with diff erent titles each time), the Symphony-Concerto, in its fi nal form, is the greatest of Prokofi ev’s last works. Full content visible, double tap to read brief content. This edition contains the Score and Parts for the piece. Prokofiev: Divertimento, Op. [Original Jazz Classics Remasters]. Size 7.25x10.25 inches. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Also very fine is the account of the Rococo Variations. 58, composed between 1933 and 1938. All fans of cello music should put this disc in … Or at least it didn't sound altogether coherent on Sunday. Sunday's performance helped explain why the score has never caught on. Moderato semplice, Variations on a Rococo Theme for Cello and Orchestra, Op. The combination of elegance and romantic warmth is very winning, and Maazel does a great job not only with the delicacy of the accompaniment but with the transitions between the variations that make us us hear them as progressively developing and not as chopped up or sectionalized. Buy download online. It is a big (36 minutes), rather meandering work, full of tart incisiveness and broadly appealing passages that don't quite cohere. Prokofiev’s first work for cello and orchestra was abandoned by the composer after an unsuccesful premiere, and the full score remained unpublished for years. Preferably, I'd choose Han na Chang's recording of this piece for EMI or Rostopovich's. And when that music is delivered in a performance as convincing and politically "correct" as Mr. Rostropovich's, those claims are only re-emphasized. 125 (sometimes referred to as … Prokofiev reworked the same themes in many compositions throughout his 1 Victor Seroff, Sergei Prokofiev: A Soviet Tragedy (New York: Funk and Wagnalls, 1968), 222. The three movements are all expansive, with a wide variety of themes and speeds, justifying the symphonic implications of the title. In the Arts and Leisure section of The New York Times on Sunday, the musicologist Richard Taruskin suggested, in his brilliantly contentious way, that Prokofiev's music and reputation may have been contaminated by Stalinism. Plan Your Visit. Cast in three large movements spanning nearly 40 minutes, it is a composite of all Prokofiev’s strengths: rhythmic inventiveness, humor tinged with satire, and ravishing lyric themes. Allegro vivo. 43, etc.. Chandos: CHAN10312X. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Tamara Sinyavskaya, a Bolshoi mezzo-soprano, delivered her "Field of the Dead" lament with rich if dynamically unvaried tone. Highly recommended! Both are performed well by Yo Yo Ma and the Pittsburgh Symphony Orchestra. There were no such problems of concentration or conviction in the "Alexander Nevsky" cantata. Prokofiev made additional revisions recasting the score as his Sinfonia Concertante for cello and orchestra in E minor, Op. $80.00 - See more - Buy online PROKOFIEV'S Sinfonia Concertante for Cello and Orchestra, one of remarkably few works written since World War II to gain a foothold in the standard repertory, owes its status to … $ Donate Now. 119 [Listening CD] Naxos. Top subscription boxes – right to your door, Sinfonia Concertante for Cello and Orchestra, Op. The Sinfonia Concertante, or "Symphony-Concerto" as Prokofiev apparently preferred to call it, is a radical reworking of the Cello Concerto (Op. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Yo yo Ma's interpretation of this Sinfonia Concertante is boring. Ma plays it beautifully, and the excellent recording (1991 digital) does justice to Maazel's accompaniment too. The Pittsburgh Symphony Orchestra under the conduction of Lorin Maazel plays terrifically. It premiered, performed by Rostropovich and dedicated to him, on February 18, 1952. For Tchaikovsky's "Variations On A Rococo Theme," I can compare this recording to the famous Rostropovich/Karajan one on DG, and this performance by Ma is its equal. New blog post: Critical Notes Series: Prokofiev's Sinfonia Concertante As you are studying this masterpiece, remember that music doesn't end at the correct notes. Cello Concerto, Op.58 (Prokofiev, Sergey) This work is likely not in the public domain in the US (due to first publication with the required notice after 1925, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. The final piece "Andante Cantabile," also by Tchaikovsky, is beautiful and sublime and the perfect conclusion to this disc. Incidentally the score is sometimes known as the Symphony-Concerto. As the pre-eminent cellist of our time, Mr. Rostropovich might have been expected to make his strongest impression in the opening piece, the Sinfonia Concertante in E minor for cello and orchestra (Op. The revised concerto score, eventually renamed Sinfonia Concertante, is a splendid achievement and one of the glories of Prokofiev’s last years. Carlos Avila has been helping me work out the kinks for my upcoming (first ever) performance of Prokofiev's Sinfonia Concertante this week. This "Sinfonia Concertante" is a large-scale work for cello and orchestra, dedicated to Mstislav Rostropovich. TimesMachine is an exclusive benefit for home delivery and digital subscribers. 125: III. This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. Quite honestly, I have heard much better recordings of this piece. This is a classic recording in every respect and please take note that it did win a grammy. Neither work shows Prokofiev at his creative zenith: the Op. The virtuoso who has recently brought us such eclectic recordings as "Simply Baroque" and "Appalachian Journey," here shows us his mastery of Prokofiev's Symphony Concerto for Cello and Orchestra, or "Sinfonia Concertante." 33: Moderato quasi andante - Thema. One wonders whether Mr. Taruskin really means to dismiss the claims of art along with the arid pretensions of formalist analysis. 125). The two works recorded here have an interestingly close musical relationship that is belied by their radically different sound-worlds. In 1952 the revision was finished. 33: Variation IV: Andante grazioso, Variations on a Rococo Theme for Cello and Orchestra, Op. Prokofiev* / Myaskovsky* / Sir Malcolm Sargent, Mstislav Rostropovich, Royal Philharmonic Orchestra*, Philharmonia Orchestra: Prokofiev* / Myaskovsky* / Sir Malcolm Sargent, Mstislav Rostropovich, Royal Philharmonic Orchestra*, Philharmonia Orchestra - Sinfonia Concertante / Cello Concerto ‎ (CD, Comp, Mono, RM) EMI Classics: 0946 3 80012 2 5 Another essential CD by the great Yo-Yo Ma. Mstislav Rostropovich remains the most impassioned, idiomatically convincing, personally compelling exponent of Russian music that we have, "we" meaning the world, not just the West. Reviewed in the United States on July 16, 2014. Brief content visible, double tap to read full content. Discounted tickets. Richter and Rostropovich, the meeting of two legends around Beethoven and Prokofiev. The second movement especially drags along; it lacks the tremendous drive that was originally intended for this piece as well as a lack of expression. 125, it is a reworking of the Cello Concerto Op.58. 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