But that is not overly conspicuous. Enter your email address to subscribe to this blog and receive notifications of new posts by email. The violin concertos K. 211, 216, 218 and 219 were all composed within a few months, between June and December 1775, while Mozart was in the employ of the Archbishop of Salzburg. 4 in D minor, Op. Overall Duration: 30’18”Rating (see above for details): 4.0 (4 / 4 / 4) — An excellent performance! The Violin Concerto No. Repin’s tone and technique are flawless, superb. 5.0 out of 5 stars Mozart's Sinfonia Concertante, and fifth Violin Concerto, performed by Gidon Kremer. For the general impression see above. Price: $16.98 FREE Shipping on your first order. Allegro Aperto; Adagio; Rondo: tempo di menuetto; In the course of writing only five violin concertos, Mozart arrived at this perfection. 5/Vieuxtemps: Violin Concerto No. We don’t know for what occasion, and for whom Mozart wrote these concertos. The idea must have been that the concert master is playing the solo. Zukerman follows the orchestra dynamics. I assume he is playing the “Dushkin” Guarnerius del Gesù violin of 1742. So, Repin leaves the fermata as is. But Repin comes out of the traditional Russian violin school, a pupil of Zakhar Bron (*1947), the famous teacher. 128 bars, no repeatsThe slow movement is in 2/4 time, i.e., in two beats per bar. The cellos and basses must use the bow upside down, i.e., treating the strings with the wooden part of the bow, marking a Turkish marching band. In other words: one does not get the impression of the concertmaster (primus inter pares) playing the solo part. And again, he plays with lots of vibrato. 5 in a, 2nd movement - Mozart ngay trên Nhaccuatui. So, I assume he was not influenced by Menuhin in his playing. https://www.rolf-musicblog.net/baldur-bronnimann-basel-sinfonietta-munchenstein-2020-11-22/, Anniversary Concert, #Orpheum Foundation: David #Nebel, Dorukhan #Doruk, @OliverSchnyder — Baden, 2020-11-07 — Beethoven: Violin Sonata op.24; Cello Sonata op.102/2; Piano Trio B♭ major, op.11 5 in a, 2nd movement do ca sĩ Mozart thuộc thể loại Khong Loi. 5 in A Major, K. 219 (Solo Part with Reduction) by Wolfgang Amadeus Mozart Sheet music $28.21 Only 1 left in stock - order soon. Zukerman recorded this concerto in 1982. Mozart: Violin Concerto No.2 in D, K.211; Violin Concerto No.3 in G, K.216; Violin Concerto No.5 in A, K.219, Vadim Repin, Yehudi Menuhin / Wiener Kammerorchester, Erato / Elatus, iTunes download (256 Kbps, stereo); © 1998Booklet: none with the downloaded files. 5 in A, K. 219, Mozart demonstrates great imagination in his experimentation with fluctuating tempi and diverse meters within single movements. 5 in A major, K. 219, was written by Wolfgang Amadeus Mozart in 1775, premiering during the holiday season that year in Salzburg. 4 in D Major, K. 218: II. Joachim did not write a cadenza for bar 45. 4 recorded in January 1987, and the Duo for Violin and Viola in G Major, K 423, from a May 1984 recording session with only Kremer and Kashkashian. The Violin Concerto No. Blog post #560 — #rolfsmblog • Also, the flow sometimes appears to come to a halt, is merely dragging along. It begins with a repeat of the introduction, this time as accompaniment to the solo part: The Adagio part does not return, but in bar 219, the soloist has the opportunity for a big cadenza. 2015-02-24 — Original posting2016-08-03 — Brushed up for better readability. This item: Mozart: Violin Concerto No. But overall, it’s not a bad recording, with lively playing, assuming one can cope with the vibrato. 5 K 219), played and conducted by Schneiderhan, a recording made in 1967, and originally paired with VC No. The purpose of the cadenza is not to make a smooth transition to the Allegro aperto: that part should start as a little surprise. If only there was a little less vibrato …. Duration: 12’07”; 1/8 = 48Zukerman’s tone sounds rather sharp, maybe a little aggressive at times even. However, there is a popular set of cadenzas by Joseph Joachim (1831 – 1907) which many artists choose to play. Also, the vibrato is omnipresent, particularly in the solo part, especially in the cadenzas. For this recording, the booklet does not include details about the cadenzas played. 5 in A Major, K. 219, "Turkish" Violin Concerto No. I like his first, short one, but I have some reservations about the big cadenza, as it contains some rather strange (non-classical) melodic and harmonic moves. Zukerman plays both the small cadenza (bar 45), as well as (of course) the big one. Overall, the “Turkish segment”, counting the repeats and the cadenza, has about the same weight as the actual Menuetto. Both interpretations below are non-HIP, i.e., traditional. There is also no information about his instrument. This posting is about the Violin Concerto No.5 in A, K.219, by Wolfgang Amadeus Mozart (1756 – 1791), of which I currently have two recordings: Both these recordings are acquisitions on CD, or digital downloads. Menuhin comes from an even older school, so one cannot expect a historically informed performance. 4 & 5 by Erica Morini, Frederic Waldman & Musica Aeterna on Apple Music. Zukerman plays both the violin and the viola, while also pursuing careers as teacher and conductor. Ships from and sold by Mega-Movie-Deals. The last one in particular is not just joyful, but at least playful as well, even joking, if not provocative. It With today’s tendency to add rather than omit ornaments, this may sound unusual. Sold by Ficks Music and ships from Amazon Fulfillment. Yet, when comparing this recording to Pinchas Zukerman’s above, one can feel that the recent evolution in HIP playing has had an influence on this performance as well. Vadim Repin (*1971) is one of the prominent violinists of today’s “middle generation”. It follows the typical fast-slow-fast musical structure. ), one ends up with even more vibrato. Mozart did not write down cadenzas for this concerto. 4 Hilary Hahn (Artist) Format: Audio CD. For me this goes to the point where it is close to unbearable. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. The movement suddenly switches from A major to C minor, from a pleasant Menuet in 3/4 to Allegro in 2/4 (annotations and wind instrument voices not shown in the score samples): The solo marks a rather wild “gipsy dance”, then — yet another surprise — after 33 bars, the tone changes again, into a veritable Janitscharenmusik (Janissary music). 4 at Amazon.com. Blog post #563 — #rolfsmblog • The rather odd pairing of Mozart's Violin Concerto No. Especially in his Violin Concerto No. Reviewed in the United States on February 16, 2014. https://www.rolf-musicblog.net/trio-amani-zurich-2020-10-24/, Very sad and disappointed ☹️ @tonhalle @HarrisonParrott -ORCHESTER ZÜRICH CANCELS ALL CONCERTS UNTIL FURTHER NOTICE | PAAVO JÄRVI https://paavojarvi.com/tonhalle-orchester-zurich-cancels-all-concerts-until-further-notice/. Each of Wolfgang Amadeus Mozart's successive violin concertos is longer and more epic … Rating criteria, scale(s) and detail, how one should / should not read my ratings, their "value", pitfalls, shortcomings & limitations. The “Neue Mozart Ausgabe” indicates that the fermata in bar 45 is to be “ornamented”, i.e., filled with a short cadenza. Overall Duration: 31’29”Rating (see above for details): 2.7 (3 / 2 / 3) — Certainly not a CD that I would choose to buy, but OK as a traditional recording. Still, back in my LP days, in my own view, Pinchas Zukerman (*1948) enjoyed a good reputation, both as a soloist, as well as for his cooperation in chamber music ensembles. 4 & 5 "Turkish" by Gyorgy Pauk, Jorg Faerber & Wurttemberg Chamber Orchestra on Apple Music. 3 & 4 - Violin Concerto No. 4 in D minor, Op. 3, K. 216, D major No. But the major problem I have with this interpretation is that the tempo is definitely too slow. Duration: 9’24”; 1/4 = 118 — 1/4 = 144A tad faster than Zukerman, lighter, slightly better, overall. Stream songs including "Violin Concerto No. 5 in A Major, K. 219 "Turkish" - 1. 5 is not likely to satisfy listeners more accustomed to modern performance practices and stylistic approaches to Mozart.The violinist's playing is quite heavy, the vibrato is thick and wide, and the interpretation is rather romanticized. Read honest and unbiased product reviews from our users. It ends in a fermata in bar 262, where a cadenza leads back to the Tempo di Menuetto / Rondeau: As in the initial Menuetto segment, the solo has the opportunity to play another short cadenza when the ritornello returns in bar 320. Repin’s tone is big, well-balanced, the articulation lighter, the staccato less broadened than Zukerman’s. How I Got to Know Mozart’s Violin Concertos, Norrington & Arabella Steinbacher in Zurich, 2015-03-28, Norrington&Steinbacher, Zurich 2015-03-28 | Rolf's Music Blog, Concert: Nicolas Hodges, Ilan Volkov / Basel Sinfonietta — Basel, 2021-01-24, Beethoven: String Quartets, Comparison Summary, Baldur Brönnimann / Basel Sinfonietta — Münchenstein, 2020-11-22, Orpheum Foundation: David Nebel, Dorukhan Doruk, Oliver Schnyder — Baden, 2020-11-07, Els Biesemans, Capriccio Barockorchester — Kirche St.Peter, Zurich, 2020-10-18. Mozart Violin Concerto No 5, Turkish. 4 K 218 (the CD's booklet nicely reproduces the cover of that and of the original Beethoven LP). 5 In A, 2nd Movement chất lượng cao 320 kbps lossless miễn phí. I doubt that I would have purchased it otherwise. This precludes an extremely slow tempo: The score asks for a solo cadenza in bar 125. Repin plays Joseph Joachim’s big, excellent cadenza. Duration: 9’24”; 1/4 = 110 — 1/4 = 136Here now, Zukerman plays all 4 of Joseph Joachim’s cadenzas (with very minor adaptations in the short cadenzas 2 and 4), which is definitely a good move. Stream songs including "Violin Concerto No. Blog post #561 — #rolfsmblog • Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. In bar 131, the first section ends with a pause / fermata. That’s a movement full of surprises. 5 in A Major, K. 219, "Turkish": I. Allegro aperto - Adagio - Allegro aperto By Wolfgang Amadeus MozartArabella Steinbacher, Lucerne Festival Strings, Daniel Dodds 7 The majority of the violinists must be playing this: if I think about this movement and its cadenza, this is the one which comes to mind. 5 in A major, K219 'Turkish' by Wolfgang Amadeus Mozart (1756-91). 5 is the most refined and accomplished of Mozart's early works for this instrument. #rolfsmblog • According to Wikipedia, he was playing the Stradivarius Ruby from 1708 at the time of this recording. As this is in German, I have written up a separate, more extended review in the posting “Norrington & Arabella Steinbacher in Zurich, 2015-03-28“. 4 in D Major, K. 218: I. Allegro", "Violin Concerto No. For me, there is definitely too much vibrato, both because it is everywhere, and because it is too strong in amplitude. At the same time it retains popular musical elements. It starts with the soloist introducing the Rondo theme:The soloist has the opportunity for two short cadenzas (bars 58 and 109), each leading back into the Rondo theme. Bài hát violin concerto no. Paavo JärviMozart: Violin Concerto No.5 In A, K.219 / Vieuxtemps: Violin Concerto No.4 In D Minor, Op.31℗ 2015 Hilary Hahn, under exclusive license to Deutsche Grammophon GmbH, BerlinReleased on: 2014-03-13Producer: Sid McLauchlanProducer, Co- Producer: Hilary HahnStudio Personnel, Recording Engineer: Wolf-Dieter KarwatkyStudio Personnel, Asst. 31," of Henri Vieuxtemps is explained by Hahn as personal: she learned both works early in her education. The tempo is moderate, the articulation is rather broad, both in the orchestra as well as in the solo part. Listen to Mozart: Violin Concertos Nos. I assume that for the first two movements he is playing his own cadenzas. The dating appears somewhat unclear. Free returns are available for the shipping address you chose. Allegro aperto. Duration: 9’58”; 1/4 = 128 — 1/8 = 48The recording begins with a little hiccup: there is a little cutting error in bar 5 (some 0.2 seconds extra). 4 by Hilary Hahn (2015-05-03) by Hilary Hahn Audio CD $25.91 Only 1 left in stock - order soon. https://www.rolf-musicblog.net/ratings-concerts-vs-media-reviews/, Concert review, ★★★★½, @baldurbronniman / @BSsinfonietta @ Münchenstein, 2020-11-22 — Georg Friedrich #Haas: Joshua Tree (2020); Gérard #Grisey: IV. The new pairing on this "The Originals" release is Mozart's Turkish Concerto (VC No. This was at the end of Menuhin’s career, and Repin was 27: a fully formed artist personality. Thanks for visiting; your feedback (comments, ratings) is most welcome! But of course, in a CD recording, listeners expect to have a “closer view” on the soloist than in a concert hall. 5 in A major, K. 219, often referred to by the nickname The Turkish , was written by Wolfgang Amadeus Mozart in 1775, premiering during the Christmas season that year in Salzburg. 5, K. 219. The Violin Concerto No. One example: the staccati around bar 80 are clearly portato. The vibrato is ubiquitous, but luckily more moderate in amplitude, and not nervous. One problem with strong, ubiquitous vibrato: in slow movements, when the score asks for more expression (espressivo, etc. 2014 Preview SONG TIME ... Violin Concerto No. Andante" and more. It feels as if the movement was played in 4/8 in lieu of 2/4. Mozart's five violin concertos are as follows: 1. He was often appearing with artists such as Itzhak Perlman and Daniel Barenboim. 2017 Preview Editors’ Notes Dutch violinist Noa Wildschut makes her recorded debut with exactly the same violin concerto, Mozart’s Fifth, that launched her mentor Anne-Sophie Mutter’s career. Mozart: Violin Concerto No. The articulation is somewhat lighter, the tempo more fluid, the vibrato more controlled. 1 K. 207, D Major No. That’s clearly a reverberation from the presence of the Osmans in central Europe, or rather the victory over the Osmans by Prince Eugene of Savoy in 1697: That “Turkish” section features three 8-bar sections with repeat, followed by a longer segment without repeat. Nghe bài hát Violin Concerto No. Violinist Gidon Kremer joined Nikolaus Harnoncourt and the Vienna Philharmonic Orchestra for a series of recording sessions beginning in October 1983, in Vienna. Browse: Mozart - Violin Concerto No. One additional, minor point: in bars 133/134 the solo has resting, full notes, while the orchestra has f – p – f – p in both bars. A taut, springy opening precedes the violin, which steals in with an unexpectedly slow entrance, the prelude to a beautiful conversation between soloist and orchestra. 5/Vieuxtemps: Violin Concerto No. 5 in A major, K. 219, with the little-known Violin Concerto No. 4 K. 218, and A Major No. In my LP collection (somewhere in the basement, unplayed for at least 30 years), I have the recordings with, In addition, I have several LPs with individual Mozart concertos, the concerto in A K.219 is present with, These are all recordings with their definitive merits, but I doubt that from today’s (HIP) perspective it makes sense to have that many non-HIP versions, let alone on top of the two listed above, that I already have on CD now. Wolfgang Amadeus Mozart (1756 – 1791) wrote this concerto between 1775 and 1780. The tone in the solo part is nicer, and Joachim’s cadenza again is an excellent fit. Mozart violin concertos are among my earliest musical encounters: in my parent’s small LP collection (which I still have somewhere) I seem to remember that there was a recording with. The rather odd pairing of Mozart's "Violin Concerto No. Details & FREE Returns Return this item for free. This posting is about the Violin Concerto No.5 in A, K.219, by Wolfgang Amadeus Mozart (1756 – 1791), of which I currently have two recordings: Pinchas Zukerman, Saint Paul Chamber Orchestra (1982) Vadim Repin, Yehudi Menuhin / Wiener Kammerorchester (2005) How I Got to Know Mozart’s Violin Concertos 4.8 out of 5 stars 70 ratings. Rondeau: Tempo di Menuetto: 131 bars, no repeats — Allegro: 33 + 8 + 8 + 8 + 73 bars, parts 2 – 4 repeated — Tempo di Menuetto: 88 bars, no repeatsThe last movement is a Rondo in Tempo di Menuetto. Showing 1 - … All violin concertos are joyful compositions. However, if I were to add more recordings to my CD collection, it would be in the area of historically informed performances (HIP), rather than reviving any of these. 4 in D Major, K. 218: II. Recording Engineer: Rainer HoepfnerStudio Personnel, Mixer: Stephan FlockComposer: Wolfgang Amadeus MozartAuto-generated by YouTube. But to me, Repin’s solution (or rather, Joachim’s) appears valid, convincing as well. Violin Concerto No. As already in the first movement, the cadenza (presumably Zukerman’s own) is no more than a moderate fit to the movement. Mozart: Violin Concerto No.3 in G, K.216; Violin Concerto No.5 in A, K.219, Pinchas Zukerman / Saint Paul Chamber Orchestra, CBS Records MYK 42612 (CD, stereo); ℗ 1982 / © 1987Booklet: 7 pp. The theme is accompanied by tremolo in the second violin and the viola: The solo violin is introduced with a sudden change to Adagio in bar 40: The Adagio section is just 6 bars, ending in a fermata. There is less vibrato (OK, still too much for me). But again, the articulation tends to be (too) broad, the tempo maybe a bit too laid back, the tone of the solo violin sometimes a bit too solid rather than light and elegant. HALL OF FAMETOP 1000 REVIEWER. Modulations from "Les espaces acoustiques"; Elliott #Carter: Variations for Orchestra The solo voice is labeled Violino principale and often plays colla parte with the first violin. Duration: 12’07”; 1/8 = 56Better tempo (really in 2/4 time, but still Adagio, i.e., calm). Bb Major No. I really should watch out for a HIP (historically informed playing) version! Viola player Kim Kashkashian also joined … 5/Vieuxtemps: Violin Concerto No. 5 in A major, K. 219," with the little-known "Violin Concerto No. Repin plays all of Joseph Joachim’s excellent cadenzas, carefully and as written. The Violin Concerto No.5 in A, K.219 has three movements: 39 + 6 +181 bars, no repeatsThe first movement, Allegro aperto, begins with the first violins introducing the main theme. I have inherited this CD from my parents. Is this just because he is also conducting?? About | Impressum, Legal | Site Policy | Testimonials | Acknowledgements | Blog TimelineTypography, Conventions | WordPress Setup | Resources, Tools | Pictures, Methods, How I rate concerts and media / recordings. 5 in A Major, K. 219 "Turkish" Mozart: Violin Concerto No. And one can feel this in his playing. As mentioned above, Mozart’s Symphony in C, K.551 was featured in a concert at the Tonhalle in Zurich, on 2015-03-28, with Sir Roger Norrington and the Zurich Chamber Orchestra. 2, K. 211, G Major No. Find helpful customer reviews and review ratings for Mozart: Violin Concerto No. en/fr/de. View credits, reviews, tracks and shop for the 1966 Vinyl release of Violin Concerto No.5 In A, K.219 / Violin Concerto No.6 In D, K.271a on Discogs. 4 in D Major, K. 218: I. Allegro moderato", "Violin Concerto No. Duration: 9’58”; 1/4 = 124 — 1/8 = 46A traditional recording in all aspects. If playback doesn't begin shortly, try restarting your device. Zukerman’s playing in general (apart from the vibrato) is fine, maybe sometimes rather robust. In both cases, the solo (understandably) is very much central to the recording. 3 recorded at the same December, 1984 session as #2 above, along with Violin Concerto No. - Mozart: Violin Concertos Nos. Yehudi Menuhin (1916 – 1999) — a former violin child prodigy himself — is directing the Wiener Kammerorchester (Vienna Chamber Orchestra). The Mozart Violin Concerto No. Violin Concerto No.5 in A major, K.219 Violin Concerto in E-flat major, K.268/Anh.C 14.04 "No.6" (doubtful) Violin Concerto in D major, K.271a/K.271i "No.7" (doubtful) I assume that these are his own. Andante cantabile" and more. See my concert review for Bachtrack.com. This item: Mozart: Violin Concerto No. We are sorry that this post was not useful for you! Tìm loi bai hat violin concerto no. Listen to Morini Plays Mozart: Violin Concertos Nos. 31, of Henri Vieuxtemps is explained by Hahn as personal: she learned both works early in her education. https://www.rolf-musicblog.net/orpheum-foundation-nebel-doruk-schnyder-baden-2020-11-07/, Concert, ★★★★, Trio Amani (Marina Yakovleva, Lev Sivkov, Kateryna Tereshchenko) @ Zurich, 2020-10-24 — Beethoven Piano Trio #1 in E♭, op.1/1; Rachmaninoff Trio élégiaque #1 in G minor; Arensky Piano Trio #1, op.32 5 in A major, K219 'Turkish' This page lists all recordings of Violin Concerto No. Free Shipping on your first order big, excellent cadenza zukerman plays both the small (. It retains popular musical elements vibrato more controlled ) version and choral Music product. Too slow he composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber piano! Mozart thuộc thể loại Khong Loi FlockComposer: Wolfgang Amadeus Mozart ( 1756 1791! 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